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Author Archives: Eric Hart
Paper Props from Capeman
We just finished our summer season in Central Park with a theatricalized concert version of “Capeman”, the musical by Paul Simon. Though it got less-than-stellar reviews the first time around (and cost $11 million for 68 performances), this reincarnation was very well-received and quite enjoyable. It was also a lot of fun to work on, [...]
Which Classes Should I Take
It’s that time of year again; summer is winding down and school is about to start. If you’re one of many who are in college or graduate school, you may be wondering what classes you should take to help you be a better props person. Hopefully, I can help. It should go without saying that [...]
Prop or not?
Is a musical instrument a prop? Many prop masters like to say, “If you want it to look good, it’s a prop. If you want it to sound good, it’s the sound department.” We’re doing Capeman right now, which is a musical. The orchestra obviously brings their own instruments. Any instruments which are handled by [...]
36 Knots, Bends, and Splices
Who here likes knots? Who doesn’t like knots? When I was first starting out as a stagehand apprentice, I was told there were three knots I should memorize: the square knot, bowline, and clove hitch. These, I was taught, made up the bulk of all knots needed in theatre. Any other specialty knots came into [...]
Monday Link-a-tastrophe