Behind the Scenes of an Opera-House, 1888: Introduction

By Eric Hart | Published: November 24, 2010
The Property Workshop at the Metropolitan Opera-House, 1888

An article from 1888 which takes us backstage of the Metropolitan Opera in New York City during the creation of an opera.

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Crack

By Eric Hart | Published: November 22, 2010

Several methods for simulating the drug known as crack on stage.

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The Influence of Properties upon Dramatic Literature, 1889

By Eric Hart | Published: November 19, 2010

A brief discussion of props in theatre circa 1889.

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Using soft materials to mimic hard details

By Eric Hart | Published: November 17, 2010
Ethafoam on a decorative arm

You can use fabric and soft foam to mimic carved or otherwise intricate details on props.

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Review: The Prop Master

By Eric Hart | Published: November 15, 2010
The Prop Master by Amy Mussman

Amy Mussman’s book clearly defines the duties and expectations of a prop master in a theatrical setting.

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  • About

    Eric Hart

    I am Eric Hart, former assistant props master at the Public Theater in New York City, and a longtime prop maker.

    This site is a way to share my work and the things I've learned over the years. It's also a way to connect with other prop makers, props masters, and artisans, as well as a collection of all things of interest to props people from around the internet.

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