In which I attend a discussion on creating more sustainable theatre from a design and production perspective.
Lots of photographs detailing how I made a dead pheasant for a recent production of King Lear.
Fake blood from washable markers, building a working train, old oil paintings, 3D software that prints flat parts which can be assembled, and sculpting with wax.
Keith Walters, property master on “True Grit”, goes through his process of propping The Coen Brother’s version of “True Grit”.
A brief anecdote about what happens when a leading lady doesn’t have the prop she needs for rehearsal.
I am Eric Hart, former assistant props master at the Public Theater in New York City, and a longtime prop maker.
This site is a way to share my work and the things I've learned over the years. It's also a way to connect with other prop makers, props masters, and artisans, as well as a collection of all things of interest to props people from around the internet.
