Several illustrations from 1907 relate the variations in the parts of a chair which, when combined, give us an almost infinite variety of chair styles.
The tools and materials we can use in our prop-making are far more advanced than what major manufacturers had access to in centuries past.
An imaginary conversation between a prop master and a set designer over a play which is set in a “timeless” time period.
At the 2011 S*P*A*M conference, Rebecca Akins of Childsplay Theatre shares 40 years of working with toxic substances and the healthier alternatives she’s found over the years.
I continue my photographic tour of the Childsplay campus, visiting the costume shop and administrative offices.
I am Eric Hart, former assistant props master at the Public Theater in New York City, and a longtime prop maker.
This site is a way to share my work and the things I've learned over the years. It's also a way to connect with other prop makers, props masters, and artisans, as well as a collection of all things of interest to props people from around the internet.
