This video is from a few years ago, but it’s always great to show off how to make a simple blood knife.
So this is from a few years ago, but I haven’t come across it until now. Doc Manning, one of the former props masters at Actors Theatre of Louisville, talks about some of their trickier props from a new show called Slasher! It’s a show filled with homemade bombs, actresses on meathooks and bathtubs full of blood, so you know it must have been a challenge for the props department.
So it’s the day after Halloween, but most of my links today are for Halloween-related props, because that’s what everyone has been writing about for the last couple of weeks. Luckily, us props people can use some good fake blood advice any day of the year.
First up is fellow SPAM member Deb Morgan, props master at the Lyric Opera in Kansas City, showing us how to make some fake edible blood and a blood bag. It’s a basic recipe that most of us know, but it’s great to watch how the different ingredients affect the final product.
Next is another SPAM member Seán McArdle giving his local Fox News channel a show-and-tell of fantastic props he has built. Besides his own take on the blood bag, he’s got a really cool non-pyrotechnic gunshot effect for a musket.
Ed Edmunds makes monsters and effects for haunted houses, and created the animatronic electric chair prop that essentially transformed these rides from cheesy diversions to high-tech affairs. Check out his interview in Esquire Magazine to learn more.
Finally, check out this super-cool video where artist DiResta makes a quick vacuum-formed mask, going from clay sculpt, to plaster mold, to vacuum-forming, to paint:
Well, I am off this weekend to Bucknell University, where I will be signing copies of my book during Homecoming Weekend. If you are in Central Pennsylvania, feel free to stop on by. I’ll try to post pictures and updates on my Twitter. I also have some stories I’ve found around the Internet this week:
Props master extraordinaire Jim Guy is profiled in yet another news article. He talks about how he got started, his favorite parts of the job, and how new people can begin a career in props.
LiveScience takes a look at the technology behind horror-movie monsters. Though it seems a lot of films just use CGI for everything, many effects are still practical. In fact, advances in technology have made it easier to use all sorts of prosthetic, animatronic and makeup effects for movies.
While we’re on monsters (it is nearly Halloween, after all), I enjoyed this article on a Philippine monster-making company. Their creatures are actually based on the characters from Philippine folklore, but done in a more-Western style.
The Credits talks with the makeup maestro for the new Carrie film. They discuss in detail how they did the infamous “pouring of blood” scene; it’s a little trickier than you might expect, but it led to a much more consistent result on-screen.
Finally, Non-Toxic Kids lays out ten reasons we need stronger laws about toxic chemicals. Though aimed at parents, the reasons are just as relevant to props people. While we may feel adequately informed about the dangers of industrial chemicals and supplies, we also use plenty of household cleaners and chemicals that you may not realize are also toxic.
Not too much going on this week. Everyone seems to be transitioning from regular seasons/school to summer work. Still, there were some interesting things on the Internet in the past couple of days:
My latest article for Stage Directions Magazine is up. “Fast, Cheap and Under Control” takes a look at how you build a prop when that prop has never been built before. I interviewed several props people for their perspectives on this particularly perplexing problem; Tom Fiocchi, props instructor at Ohio University; Lori Harrison, props director at San Francisco Opera; and Seán McArdle, worldwide freelance prop maker.
Speaking of Stage Directions, I interviewed Kacie Hultgren in an earlier article about 3D printing for theatre. Make Magazine has revisited Kacie to see what she has been up to lately.
Joshua Meltzer, prop master on the show Dexter, shares 14 bloodthirsty secrets from the “Dexter” set. Some of the shocking secrets? They don’t actually cut the actors with knives.
Finally, do you know the proper way to chuck a drill bit?