The following article by Ron De Marco is a summary of the interviews of props professionals conducted by his students which ran last month.
The Prop Master Interviews: A Reflection
By Ron De Marco
I’ve been teaching four stagecraft level prop courses at Emerson College every year for the past ten years. One of the topics my students and I discuss on the first day of class is the various challenges that people who create props all over the country deal with in their daily jobs. The internet is abundant with newspaper lifestyle articles on solutions that prop people have developed while working on productions, and these articles usually address the sometimes wild and sensational tasks that they are currently tackling. For years, I’ve brought many of these articles in with me to class on day one and we’ve oohed and aahed about the clever approaches and solutions to seemingly impossible challenges: an actress needing to “vomit” on cue in God of Carnage, digging up and smashing bones in a graveyard for The Beauty Queen of Leenane, and all manner of special effects designed to be reset quickly for the next show. Continue reading