Tag Archives: Jim Guy

Jim Guy

Interview with Jim Guy

The following is one of several interviews conducted by students of Ron DeMarco’s properties class at Emerson College.

Jim Guy

by Jessica Kemp

Jim Guy
Jim Guy

When we chose our properties directors to interview, Ron handed over Jim’s information with a smile. “Jim is one of the most personable guys you will ever meet,” he said. “Have fun.”

Indeed I did. Continue reading

End-of-the-week Links

Well, I am off this weekend to Bucknell University, where I will be signing copies of my book during Homecoming Weekend. If you are in Central Pennsylvania, feel free to stop on by. I’ll try to post pictures and updates on my Twitter. I also have some stories I’ve found around the Internet this week:

Props master extraordinaire Jim Guy is profiled in yet another news article. He talks about how he got started, his favorite parts of the job, and how new people can begin a career in props.

LiveScience takes a look at the technology behind horror-movie monsters. Though it seems a lot of films just use CGI for everything, many effects are still practical. In fact, advances in technology have made it easier to use all sorts of prosthetic, animatronic and makeup effects for movies.

While we’re on monsters (it is nearly Halloween, after all), I enjoyed this article on a Philippine monster-making company. Their creatures are actually based on the characters from Philippine folklore, but done in a more-Western style.

The Credits talks with the makeup maestro for the new Carrie film. They discuss in detail how they did the infamous “pouring of blood” scene; it’s a little trickier than you might expect, but it led to a much more consistent result on-screen.

Finally, Non-Toxic Kids lays out ten reasons we need stronger laws about toxic chemicals. Though aimed at parents, the reasons are just as relevant to props people. While we may feel adequately informed about the dangers of industrial chemicals and supplies, we also use plenty of household cleaners and chemicals that you may not realize are also toxic.

March Goes in Like a Link

March Goes in Like a Link

It’s the end of the week, but the beginning of a new month. This is conference month for those of us in technical theatre. First is SETC, happening next week (March 5-9) in Louisville, KY. Shortly after is USITT, taking place March 19-23 in Milwaukee, WI. I will be at both if you wanted a chance to catch up or introduce yourself. At USITT, Stage Directions will be hosting a book signing for my book at their booth on Friday, March 22nd, at 12:30 PM. More info to come. For now, enjoy these links:

My latest magazine article in Stage Directions is now online; I profile the Milwaukee Rep props shop, home of props master Jim Guy. Milwaukee also happens to be the location of this year’s USITT conference. Coincidence?… actually, no, we chose to write about Milwaukee Rep for this issue precisely because of USITT.

The designer of the Dalek from Doctor Who, Ray Cusick, died this past week. The Verge has some videos and a story about him and how the Daleks came to be.

When the Vancouver Playhouse Theatre shut its doors in March 2012, its production facilities and prop storage were abandoned and surrendered to the landlords who owned the building. Jim Buckshon was subleasing part of that building at the time for his company, Renegade Productions, and decided to lease the entire building and save the props. Read the whole story to see how Buckshon took on one of Vancouver’s largest prop collections and kept it intact for future productions.

Weta Workshop — the design/production/creature/FX shop behind films such as The Lord of the RingsKing Kong and Avatar — recently solicited questions for their Mold Shop Supervisor, Michael Wallace.  Mike answers those questions about working in a mold shop, materials and techniques he uses, and his own background.

AJ Catalano is a sci-fi prop maker who has built items for films ranging from The Avengers and The Amazing Spiderman, to The Muppets. Check out this video where he talks about his background and the work he does:

First Links of November

What a week, campers! After last weekend’s freak snowstorm (with thunder and lightning!) we’re all set for a sunny and mild two days off here. King Lear opens next Tuesday, Love’s Labor’s Lost closes on Sunday, Titus Andronicus began rehearsals and Mike Daisey’s show continues making audiences think. Let’s see what’s on the internet:

Photographs of toy manufacturing in China. Amazing how much of the work is done by hand.

This next one is an oldie but a goodie; I somehow missed it all these years. Mike Lawler gives an introduction to the theatrical props department, with interviews of Jim Guy, prop master at Milwaukee Rep, and Michelle Moody, former prop master at PlayMakers Rep.

I like this tutorial for sculpting a tiny horse figurine by Hilary Talbot. Again, it’s a few years old, but I’m just finding it now.

James Kendall’s grandmother-in-law never threw packaged food away. He photographed some of the oldest bottles and cans. It’s a fantastic look at packaging going back to pre-WWII days in Britain.

Here is a massive list of tips and tricks for tabletop gaming modeling.

Beware the time-suck that is Cracked. But they do have a fun article on 5 ridiculous gun myths everyone believes thanks to movies.

Puppets

Childsplay Theatre part 2

Previously, I showed photographs of our tour of the Childsplay props shop. Today, I will show photos from our tour of the rest of their facilities.

The dye room, located next to the costume shop, also had a spray booth which was shared with the props department.

Spray booth

The costume shop itself was clean and well-organized. I love shelves full of labelled boxes.

Costume shop storage

Someone was working on a bunch of tails for a giant mouse costume.

Mouse tails

I enjoyed the copious number of power cords hanging from the ceiling.

Ceiling power cords

We also toured the administrative offices of Childsplay. Old props and bits of artwork appeared everywhere. Here, Jim Luther, the prop master, shows us one of his creations.

Snap, Crackle, Pop

We saw many of Childsplay’s awards they’ve won over their 35 year history.

Jim Guy looking at awards

These puppets are delightful.

Puppets

Below is a portrait of Sybil B. Harrington, namesake of the Sybil B. Harrington Campus for Imagination and Wonder, which is where all these shops and offices are located.

Sybil B. Harrington

My wife, Natalie, found her long-lost twin sitting on one of the desks.

Natalie's friend

I hope you enjoyed sharing my tour of Childsplay Theatre in Arizona. Enjoy the weekend, and stay tuned for more information from this year’s S*P*A*M conference.