Curious Stage “Props” Made of German Substitutes
Artful substitution of new materials for old ones that cannot be obtained, a trick Germany learned during the war, has now extended to the stage properties used in that country, with some queer results. Shapes made of thin paper and blown up with air are adapted to all sorts of settings, from rocks and trees to pianos, and serve their purpose so long as no forgetful actor leans against them. “Props” of this kind have at least the advantage of compactness and light weight. Luxurious-looking rugs and hangings are made by a new and economical process of printing on fabric. One attraction has a property tree, so made, of paper and wire, that it can be adjusted to any height, from a bush up. In another case, a real field of waving grain is transported to the stage by gluing straws to folding sections of flat base, the whole being fireproofed. Some interesting new cloud effects are produced, presumably by the optical projection of chemical-vapor images.
Popular Mechanics Magazine, December 1920. Vol. 34, No. 6
- The Unreality of Stage Realism
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- Review: Making Stage Props by Andy Wilson
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- Historic Description of a Props Master
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