I focus a lot on the “building” and “making” of props on this blog; it’s time for a bit of information about the organizational and motivational part of the job.
43 Folders is a website about finding the time and attention to do your best creative work. It’s great if you’re a prop master trying to get more organized or motivated at work, or a props artisan trying to manage your time and energy better.
I found one post in particular to be interesting. The Problem with “Feeling Creative” talks about how “creative work” is still work. There are a lot of books and blogs out there which want to inspire you to feel artistic, but the only way to really get creative work done is by hard work and perserverance.
Merlin Mann, the author, writes:
The athlete got good not by reading reviews of headbands, but by waking up early, lacing shoes in the dark, and hitting the track to train hard. While the surgeon got good not by watching reruns of Trapper John, M.D., but by slogging through medical school, residencies, and hundreds of hours of face time with patients, colleagues, and mentors. “Feeling” had nothing to do with it.
He continues his post by introducing the idea of “design patterns”, commonly used in the fields of architecture, design, and software engineering. As he explains:
By documenting and categorizing the things that “tend to work” within a given context (and within a given set of constraints), individual patterns can provide the basis for a pattern language that encourages flexible problem-solving that discourages the costly and time-consuming tendency to reinvent the wheel.
It got me thinking about props, and whether there are any design patterns in our fields. The paperwork and prop plots used by propmasters have become fairly standardized throughout the industry. Prop artisans have tried-and-true techniques for building chairs, casting an actor’s head, or distressing leather. Props running crew layout their prop tables in much the same way throughout the country.
For your homework this weekend, think of any other design patterns which may exist in props. Think of some things which you wish had design patterns, or things you wished could be taught in schools to upcoming prop professionals. Write all about it in the comments below.
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Feeling Creative and Design Patterns in props
I focus a lot on the “building” and “making” of props on this blog; it’s time for a bit of information about the organizational and motivational part of the job.
43 Folders is a website about finding the time and attention to do your best creative work. It’s great if you’re a prop master trying to get more organized or motivated at work, or a props artisan trying to manage your time and energy better.
I found one post in particular to be interesting. The Problem with “Feeling Creative” talks about how “creative work” is still work. There are a lot of books and blogs out there which want to inspire you to feel artistic, but the only way to really get creative work done is by hard work and perserverance.
Merlin Mann, the author, writes:
He continues his post by introducing the idea of “design patterns”, commonly used in the fields of architecture, design, and software engineering. As he explains:
It got me thinking about props, and whether there are any design patterns in our fields. The paperwork and prop plots used by propmasters have become fairly standardized throughout the industry. Prop artisans have tried-and-true techniques for building chairs, casting an actor’s head, or distressing leather. Props running crew layout their prop tables in much the same way throughout the country.
For your homework this weekend, think of any other design patterns which may exist in props. Think of some things which you wish had design patterns, or things you wished could be taught in schools to upcoming prop professionals. Write all about it in the comments below.