The following is the conclusion of an article which came from the 1921 collected edition of “Our Paper,” put out by the Massachusetts Reformatory. The first part and second part were previously posted:
Bossing the World
by John B. Wallace
This is only a sample of the painstaking care with which pictures in the larger studios are filmed. It explains why so many persons who have been abroad have been fooled into exclaiming, “Why, I know that was taken in France, because I have been on that very spot,” when in reality, the “scene was shot” in California. The pictures are made with such careful attention to detail that directors and property men who know every trick of the trade are often imposed upon.
The research department is the prop that Wells leans upon in times of doubt. Three persons are employed who do nothing but look up the proper costuming and settings for scenes laid in times other than the present. In addition to a large library maintained by the studio they have the Public Library of Los Angeles to fall back upon, as well as several splendid private collections of millionaire book fanciers.
Other departments that come under Mr. Wells’ supervision are the large repair shops. In the drapery department curtains and draperies are constantly being altered, cut and repaired. Furniture is revarnished, repaired and reupholstered. In the pottery department antique vases are duplicated in cheaper materials and the bric-a-brac that is to be smashed in comedy and battle scenes is made out of plaster of paris. Costumes require a large force of seamstresses to make and alter. The electrical department requires a large force of electricians and expert mechanics are employed in the upkeep of the motor trucks and automobiles.
Wallace, John B. “Bossing the World.” Our Paper. Vol. 38. N.p.: Massachusetts Refomatory, 1921. 153. Google Books. Web. 24 Nov. 2015