Here is a short piece from CBS about History for Hire, the famous North Hollywood prop rental house. It deals specifically with their work on the film The Artist. It’s a bit dumbed down for a non-props person audience, but it’s still a nice look into History for Hire’s stock.
Update: Sorry, I didn’t realize the video wouldn’t appear in this post; you have to follow the link to watch it. The horror!
Are blank-firing guns dangerous? YES. Anyone who provides blank-firing weapons for stage and screen should know where their dangers lie, and make sure they are never used in a hazardous manner. But as a demonstration of what they can actually do, the video below should make it clear. Keep it in mind when it comes time to use your weapons, or show it to a director who tries to convince you that you are being overly cautious.
You have only a little more than two weeks left to enter my Prop Building Guidebook Contest! Don’t wait until the last minute to enter. I also wanted to point out that a week from Monday (April 22nd), you can start voting for your favorite prop in the contest; tell your friends they can vote for your prop once per day until the contest ends on April 30th. In addition to winners in each of the individual categories, the prop with the most votes will win its own prize category, so vote early and vote often! And now, onto the links.
Here is a fantastic article about the guys at Spectral Motion, one of Hollywood’s finest creature shops. They’re responsible for most of the monsters in the Hellboy films, as well as for work in X-Men: Last Stand, Blade:Trinity, and this summer’s Pacific Rim. The article is replete with information about how they got started, what kind of work they do, and what inspires them. It is also heavily illustrated with photographs showing their workshop and the inner workings of some of their creatures. I especially love the following quote about why practical effects are still necessary in an era of digital mimicry:
“A lot of times people turn to digital solutions. That’s also good, if the application is correct. But, you know, a lot of directors that we talk to are of the mind that a practical effect is far better for exactly that reason–because the actor does have a co-actor to work with, to play off of, and to have feelings about.”
I came across this short interview with Mickey Pugh, prop master on films such as Saving Private Ryan and Last of the Mohicans.
From the prop masters email list this week comes Click Americana, an ongoing collection of vintage photos and ephemera from all decades of American history. You can search for specific topics or just browse through by decade, from the 1820s to the 1980s. It has a whole section dedicated to recipes, too, great for when you need to provide period food.
And finally, if you missed my Tweet this week, I shared this video looking at the blood effects in Trinity Rep’s Social Creatures, a “zombie” play now running. Production director Laura Smith and assistant props master Natalie Kearns show us how they make the blood and organs squirt and fly.
Those at USITT may have seen a video playing on James Bakkom. Bakkom is a Minneapolis-based artist who has worked as an art director on over 500 productions, as well as a set designer around the country. He was also the props master at the Guthrie Theatre in the sixties and seventies. I heard a lot of props people raving over the short documentary about Bakkom that was screening at the conference, and it turns out it is online. So if you missed it, or couldn’t make it to the conference, check it out. It is a half hour long, so make some popcorn, shut the door, and tell everyone in the shop not to bother you because you are “doing Internet research”.
Update (4/08/13): The full version of the film has been taken down, so here is the official trailer instead. You can buy a DVD of the film at the website of Mark Wojahn, the filmmaker.
Just a reminder to enter the Prop Building Guidebook contest if you haven’t already. You have until April 30th to send in a photo or video of a prop you’ve made; there are already dozens of really great entries.
NYC Past has gigantic black and white photographs of New York City throughout history, from the early twentieth century through the 1990s.
When you have the time, take a listen to this interview of Christina Haberkern, a film prop maker. She mainly does graphics and illustration for ISS, and has made props for films such as Forgetting Sarah Marshall, Argo, Inception, and J. Edgar. It’s a much more in-depth, down-to-earth and personal glimpse into the life of a working prop maker than most of those behind-the-scenes “aren’t props fun and crazy” fluff pieces that are often produced.
Here’s a fun idea: ray gun parts you can mix and match to make your own ray gun. The Propnomicon website has pictures and details.
Finally, as a nice break before the weekend, check out this video where famed prop maker Dragon Dronet (Star Trek shows and films, Babylon 5, Eraser, and many more) is challenged to recreate a prop gun from District 9 in only 3 days. It’s a fairly quirky film that ventures into the surreal, but it does a great job showing Dragon’s process, and the result is a really cool prop.
