Useful Sites

A Cavalcade of Links

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For those of you in the regular world, happy four-day weekend! For those of you in theatre, get back to work! I have a couple of really great links for everyone this week:

The LA Times had a fantastic front page article about Film Biz Recycling, a New York City-based non-profit that rescues props and set items from finished productions, and sells them for thrift store prices. It’s the kind of store I wish existed in more places around the country; whenever I work a strike where an entire dumpster is filled with salvageable material, I can’t help but think of all the small theatres and schools where just a few scraps of plywood would make all the difference.

Lyn Gardner talks about prop flops, and how she loves when things go wrong on stage. She gives a few memorable mentions of mishaps from throughout history, and the comments section has a few more submitted by readers.

Volpin Props has an epic post up about a recent build for a Militech Crusher, a fictional gun from a video game series. It has a wide range of tips for working in plastics and inventing shapes and textures from scratch, as well as some really cool paint techniques.

If you are into podcasts, here is an episode of End Credits with an interview of Rob Kyker. Kyker is the props master on shows such as Lost and Castle, as well as films such as Super 8.

Showcases

Prop Shopping at CTG

The Center Theatre Group (CTG) out in Los Angeles has posted a video of an interview with their prop shopper, Sarah Steinman. It’s rare to see such an in-depth look at what a prop shopper does. Many people outside the industry think prop shopping is an easy job, but I can tell you from experience that the abilities of an expert shopper go far above just walking into a store and buying things. Enjoy the video!

How-to

Halberds

For one of the operas we are doing this summer, we needed some “sconces” made up of armor and weapons: shields with swords crossed behind them and that sort of thing. The designer wanted some pole weapons on one; we had a halberd in stock he really liked. Since we only had one, I had to replicate a bunch more to match it. Since these halberds were only going to be decorative, I could crank them out quickly with scrap materials.

Plywood shapes
Plywood shapes

In the photo above, I traced and cut out the main shape of the halberd blade from quarter-inch plywood. You can see the original blade at the very top of the photograph.

Attaching the foam
Attaching the foam

I attached a piece of 1-inch pink foam to each side of the plywood. I rough cut the foam to the shape, but left it oversized so I could trim it to the exact shape after the glue dried. I used Gorilla Glue to adhere it.

Sanded and shaped
Sanded and shaped

After the glue dried, I trimmed the foam to the shape of the plywood. I used a knife to make the bevels, followed by sandpaper to refine the curves.

Adding raised detail
Adding raised detail

Next I did a very “proppy prop” thing; I used hot glue to adhere some cord to create raised detail. These halberd blades are only meant to be decorative, and are way upstage; also, this is how the original one was made, and I needed them all to match.

Finished unpainted piece
Finished unpainted piece

The whole piece was then coated in FoamCoat, and sent off to the painters.

 

 

Useful Sites

Midsummer Links Dreams

It’s opening weekend here at the Santa Fe Opera! Two of our five operas open, the first tonight, the second tomorrow. It has been quite the hectic schedule, and we still have three more operas to open before July is out. Nonetheless, there is always time to read fun articles about props; here are a few that came out this week:

In “The Art of Animatronics: How Old School Movie Magic Compliments CGI“, Jim Nash looks at how practical effects are still being used despite the pervasiveness of computer-generated imagery. He points out how the technology that controls animatronics has gotten more sophisticated over the years, and how practical effects can sometimes be preferred for budgetary reasons. And the article has pictures of dinosaurs.

As if to reiterate the points in the previous article, the Stan Winston School blog has an article about the making of the Spinosaur for Jurassic Park III. Even with the advances in CGI since the first Jurassic Park movie, the third one still built a 12-ton, 1000-horsepower “puppet” version of the Spinosaur for many of the scenes. The iconic fight scene between the Spinosaur and the Tyrannosaurus Rex was mostly achieved by having several tons of robots crashing into each other. CGI simply enhanced it.

For a step back in time, Tested has a great article on the robot shark technology in Jaws. The mechanical shark in that film arguably ushered in the age of animatronic creature movies through the 80s and 90s. It’s a great look at how the shark was made, with some nice photographs as well (it looks like the shape of the shark was achieved with plywood!).

Whew, that’s a lot of articles about animatronics for a props blog! How about something a little more prop-related: the Dremel. Make Magazine has ten tips for Dremels and rotary tools.

Making and finding props for theatre, film, and hobbies