Interview with Patrick Drone

The following is one of several interviews conducted by students of Ron DeMarco’s properties class at Emerson College.

Patrick Drone

by Dorcas Thete

Patrick Drone
Patrick Drone

How long have you been at the University of Michigan?

I have been here for nine years. I’ve had three different job titles. I have been the properties manager for two and a half years, which entails more of the administrative side of props, where I deal more with students and professors. Before that I was the associate properties manager for four years. I worked hand in hand with the props master; we would rotate on shows to cut down on burnout. I was hired at UMich as the properties artisans manager, I worked more on individual projects. Continue reading Interview with Patrick Drone

Interview with Christopher Haig

The following is one of several interviews conducted by students of Ron DeMarco’s properties class at Emerson College.

Christopher Haig, Prop Master, Arden Theatre Company

by Rachel Gallagher

Photograph by Tom Stanley
Photograph by Tom Stanley

“One of the key jobs on any film set is that of the property master, and his range of activity is perhaps the largest of all. If it ‘moves, it’s mine,’ the prop man can say, on most occasions.” People who Make Movies, by Theodore Taylor, 1967.

Being a prop master is a job where a person is in charge of getting and handling all props for a show. Properties, or “props” for short, are all the items used on a stage or set from hand held items to furniture. The job is very important because props really help tell the story and tell the audience more about what is happening in the play. There could be any number of props a prop master would have to be in charge of, from one to hundreds. These prop masters are some of the most important people on set and without them, propping would be chaotic. These people are invaluable when working in the theater. I had the opportunity to interview Chris Haig, an experienced prop master in Pennsylvania, about his work in the prop field. Continue reading Interview with Christopher Haig

Friday Link-a-Dink

As you may have noticed, articles on this blog have been appearing a little less frequently than before. I have decided to drop down to only two posts per week, rather than three. New articles will now be appearing every Tuesday and Friday. I have some ongoing family issues that take a lot of my time, and this seemed like a good way to ease the pressure without just totally dropping the blog altogether.

That being said, on to the links!

Volpin Props has a step-by-step guide up for his latest prop creation, a Magister’s staff from the Dragon Age video game. I’ve been following the progress of this piece on his Twitter and Facebook, and it’s great to see the whole thing finally come together. And, it’s a nice introduction to matrix molding.

I don’t know the source of this, but this video showing the inner workings of animatronic heads recently surfaced on the Internet. I find it fascinating to see all the mechanisms and bits that go on the inside, and how it all comes to life when the skin goes on top.

This comes from last July, but I never actually posted it: Ten Props that Have Been Used in More than One Movie. One day, I want to do this for my own shows, because some props in my stock seem to be trotted out for every other production.

Do you need a “Do Not Disturb” sign for your show? How about 8700 of them? Collector’s Weekly looks at the “Do Not Disturb” collection of Edoardo Flores, who has accumulated that many from hotels around the world.

 

Interview with J. Kenneth Barnett III

The following is one of several interviews conducted by students of Ron DeMarco’s properties class at Emerson College.

J. Kenneth Barnett III

By Rachel Hunsinger, Theater Education class of ’18 Emerson College

J. Kenneth Barnett III
J. Kenneth Barnett III

J Kenneth Barnett III is currently the Resident Scenic designer, Scenic Artist, and Properties Master for Charleston Stage. He resides in Charleston, South Carolina with his wife Ann and son Sammy. But before he made his way into the city he hopes to live out the rest of his days in, he grew up in Rockford, IL. Even at a young age he was bit by the art bug. Ever since he could remember he enjoyed painting or drawing. His artistic interests flourished as he aged, and he eventually took his first steps into theater. In the sixth grade he was in his first play about the great George Washington. He played the villain, King George, and continued on to go to a performing arts school from seventh to twelfth grade. Out of all the arts offered there though, “art and theater were [his] favorites.” Continue reading Interview with J. Kenneth Barnett III

Making and finding props for theatre, film, and hobbies