Picture Producers Buy Goods on Army Scale, 1926

The following article comes from a 1926 issue of The Washington Post:

Culver City, Calif., Sept. 25 (By A.P.) — A speck of radium or a refrigerating plant capable of freezing a lake are all in a day’s work for the motion picture property man when he goes shopping.

The purchasing department of the Metro-Goldwyn-Mayer shows both items on the list of supplies for pictures, the radium playing a part in one film while the ice plant prepared an artificial lake for a winter scene in another.

This picture producing plant buys in army quantities—200,000 gallons of paint, 4,000,000 feet of lumber, 10,000 sacks of plaster, and tons of explosives being included in its annual purchases. A mill was chartered to weave plaids for a Scottish army in the filming of “Annie Laurie.”

Furniture is bought in carload lots and virtually every make of automobile is found in the transportation department.

From these wholesale purchases, the versatile property man turns to buying flower bulbs, a dust pan or an old oil lamp.

The studio bought a fox terrier puppy for one picture and the same day a pullman car for another.

The diversity of the products over which the movie dollars are spread is shown by the fact that 22,000 purchasing orders issued by Metro-Goldwyn-Mayer in one year were for 100,000 different commodities.

Originally published in The Washington Post, September 26 1926, pg M8.

Friday Prop Notes

These guys made a life-size pirate ship using nothing but cardboard and hot glue. And they did it all in five days.

I’m looking forward to the film Monuments Men, about a team of art preservationists who go behind enemy lines in World War II to rescue artworks stolen by the Nazis. Credits talks with the production designer, Jim Bissell, on how they created the locations of a ruined Europe for the film.

Here are some blank vintage labels you can download and fill in with whatever text or logos you need for your next period show.

If you ever wanted to get started with circuits and electronics in your props, but didn’t know where to start, Tested has put together a nice little guide to getting started.

And finally, here is a brief history of the coping saw, which I am sure will answer all the burning questions you have had about the coping saw.

Forging the Sword from the Hobbit

I’ve pointed out Tony Swatton’s video series in the past; he is a blacksmith for film, television and theatre, and in this short series, he recreates famous weapons from films, video games and other pop culture using real blacksmith and metal-working techniques. If you haven’t seen it yet, this is a great one to start with: Swatton forges the sword “Sting” used by Bilbo in The Hobbit.

Friday Props in the News

A lot of articles on props people came out this past week. Great news for those of us who like to read!

Southern California Public Radio had a talk with Jim Elyea, founder of History for Hire, the famed prop house out in Los Angeles. The interview is just under six minutes long, and well worth a listen.

Steve Levine has been a prop master for 40 years, working on films like Airplane!, Cocoon, and Apollo 13. Check out this great interview with him where he goes into detail about his lengthy career. He also has a book coming out soon, which is probably the first book about working as a Hollywood props master.

Like magic? William J. Schmeelk builds magic props and illusions for some of the top magicians in the country. Check out this article and video about his unique business.

In sadder news, Joe Longo has passed away. He was a long time prop master for Star Trek, working on The Wrath of Khan, The Search for Spock, the first five seasons of The Next Generation, and all seven seasons of Deep Space Nine. Trekcore has a collection of old interviews of Joe, including a video, while Star Trek.com has some remembrances by long-time colleagues of Longo.

Making and finding props for theatre, film, and hobbies