The following first appeared in a 1948 issue of Players Magazine:
By Joe Zimmerman. Temple University. Philadelphia, Penna.
For most educational theatres, borrowing properties is the most expedient method of securing properties, and the one by which the greatest number and variety of items are made available. Most non-commercial theatres rely primarily on borrowing for their properties. But a good many designers find that borrowing is a good deal of work, and at least in their experience, seems to require a lack of dignity and “professional manner” that is no great argument in its favor.
Borrowing, however, may also be handled as a self-respecting manner of securing properties, with dignity and some pride, if it is done properly. The “art of borrowing” is both a concept and a fairly specific technique. Continue reading Beg, Borrow, Buy, or… (1948)