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Daggers and Poniards of the Christian Middle Ages

I’ve previously shown illustrations and descriptions of Ancient Egyptian weapons,  Ancient Greek helmets and weapons, and Ancient Roman weapons. Here are some daggers and poniards from the Christian Middle Ages.

Daggers and Poniards of the Christian Middle Ages

  1. British cutlass, tenth century. It bears on the blade the names “Edwardus,” and “prins agile.” It is attributed to Edward II.
  2. Iron dagger, about a foot long, thirteenth century.
  3. Iron dagger, thirteenth century. Blade measures about 12 inches, and the haft about 5 inches.
  4. Iron poniard, probably Scottish, fourteenth century.
  5. Same as above.
  6. Poniard, beginning of the fourteenth century.
  7. Iron dagger, about 14 inches long, beginning of the fourteenth century. The haft is very long.
  8. Iron dagger, about 19 1/2 inches long, end of the fourteenth century.
  9. Iron dagger, 14 1/2 inches long, end of the fourteenth century. The handle is of carved bone.
  10. Iron dagger, end of the fourteenth or beginning of the fifteenth century.
  11. Poniard, end of the fourteenth century.
  12. Dagger, fifteenth century.
  13. Scottish dagger, about 14 1/2 inches long, wooden handle, fifteenth century.
  14. Dagger with single thumb ring, about 16 inches long, fifteenth century.
  15. Dagger with double thumb ring, sixteenth century. The two rings were placed there to fix the dagger on a shaft, or at the end of a lance, to resist cavalry.
  16. Dagger, anelace, or Verona dagger, fifteenth century.
  17. Dagger, anelace, fifteenth century.
  18. Dagger, fifteenth century.
  19. Dagger of a German lansquenet, sixteenth century, about 14 inches long. Polished steel sheath.
  20. Dagger of German lansquenet, sixteenth century.
  21. Main gauche, Spanish, with the inscription “Viva Felipe V.,” which shows that this weapon was in use in the year 1701.
  22. Stiletto (Spitzdolch), about 12 inches long, end of the sixteenth century. In Germany these weapons were also called Panzerbrecher, or cuirass-breaker.
  23. Dagger, Swiss, sixteenth century. These daggers are often provided with small knives, which served to cut the thongs of the armour, to pierce holes, and for various purposes.
  24. Dagger, German, sixteenth century.
  25. Poniard, German, with wavy blade, very short and broad.
  26. Poniard, German, sixteenth century. The guard has four quillons.
  27. Main gauche, sixteenth century.
  28. Main gauche, German, sixteenth century.
  29. Main gauche, German, about 20 inches long, sixteenth century. Engraved handle.
  30. Main gauche, German, with indented blade for breaking the enemy’s sword; thumb ring, and quillons curved in inverse directions; sixteenth century.
  31. Main gauche, German, with indented blade for breaking swords, sixteenth century.
  32. Close-up of indented blade of previous dagger.
  33. Large German brise-épée, sixteenth century.
  34. Close-up of indented blade of previous dagger.
  35. Poniard, German, sixteenth century.
  36. Large main gauche, German, with indented quillons, and grated guard as sword-breaker, seventeenth century. It measures about 25 by 10 inches.
  37. Stiletto, German, called Panzerbrecher, or cuirass-breaker, about 12 inches long, sixteenth century.
  38. Poniard, about 10 inches long, richly studded with precious stones. This weapon belonged to Sobieski, King of Poland.
  39. Poniard, German, called Panzerbrecher. The numbers on the blade probably used for measuring the bore of cannons.

The illustrations and descriptions have been taken from An Illustrated History of Arms and Armour: From the Earliest Period to the Present Time, by Auguste Demmin, and translated by Charles Christopher Black. Published in 1894 by George Bell.

Curious Stage Props

Curious Stage “Props” Made of German Substitutes

Artful substitution of new materials for old ones that cannot be obtained, a trick Germany learned during the war, has now extended to the stage properties used in that country, with some queer results. Shapes made of thin paper and blown up with air are adapted to all sorts of settings, from rocks and trees to pianos, and serve their purpose so long as no forgetful actor leans against them. “Props” of this kind have at least the advantage of compactness and light weight. Luxurious-looking rugs and hangings are made by a new and economical process of printing on fabric. One attraction has a property tree, so made, of paper and wire, that it can be adjusted to any height, from a bush up. In another case, a real field of waving grain is transported to the stage by gluing straws to folding sections of flat base, the whole being fireproofed. Some interesting new cloud effects are produced, presumably by the optical projection of chemical-vapor images.

Popular Mechanics Magazine, December 1920. Vol. 34, No. 6