Tag Archives: new york city

The Magic of Christmas (Windows)

Back when I lived in New York City, I spent a couple seasons working at Spaeth Designs, building props for the holiday window displays at stores like Macy’s and Saks Fifth Avenue. They’ve produced a few videos this year showing some of the behind-the-scenes work that goes into these mini-productions. These windows are quite intense, with designers and department heads beginning work in February, and dozens of skilled craftspeople starting as early as July to get these ready by Thanksgiving.

First up is Saks Fifth Avenue, which went with a “Yeti” theme:

Next up is Lord and Taylor, who do variations on a Victorian Christmas every year:

Enjoy!

20000 Objects in Opera Property Room, 1912

The following article first appeared in the New York Sun in 1912. Note: This article consistently misspells the name of Edward Siedle, who was the technical director at the Met.

Twenty Thousand Distinct Objects in the Opera’s Property Room

They Range From a Feather to a Set of Furniture, Include Armor, Food Supplies and Fans, and Show in Every Detail Careful Attention to Artistic and Historic Veracity.

One of the busiest men in this strenuous town is Edward Siedel of the Metropolitan Opera House. If you should run across a man wearing a black fedora hat on his head, an anxious frown upon his corrugated brow and a cigar between his teeth, seek no further. You will have found the hero of this tale.

Twenty-four hours out of the day Mr. Siedel is technical director of the opera house. The rest of the time he eats, sleeps and diverts himself. He got two winks of sleep one night last week. That was oversleeping himself by one wink, but he doesn’t expect it to happen again this year.

Mr. Siedel is the high muckamuck to whom all the stage hands, carpenters, electricians, property men and so forth are responsible. As an example of the extent of his duties take a single one of these departments, that of properties. Maybe everybody knows that a stage property, or “prop,” is everything used in a stage setting except the main scenery. Also everything carried by members of the company, artists, chorus or supers, except the clothes actually worn, which come under the head of costumes, and the wigs, which have a classification all their own.

In charge of the property department is a master of properties, who has to look after an insignificant total of about 20,000 objects! These range all the way from so trivial a thing as a single feather to whole sets of expensive furniture. The feather does duty in various operas in which a quill pen is needed, as in “Tosca,” where it is used to write the unhappy singer’s passport before she assassinates Scarpia.

The opera house property department has enough furniture to fill a hotel. There are over 100 side chairs, as those without arms are called; about forty arm chairs and fifteen sofas, not counting various settees, benches and wooden stools. In the same category are about fifty tables, several screens, hatracks, a cheval glass, chests and so on. All this is real furniture.

In “Donne Curiose” the settings for the two scenes of the first act are perhaps more costly, so far as the properties are concerned, than any others to be seen at the Metropolitan. In the first scene, showing the gaming room, the chairs are of wood and real leather, the tables and the buffet are handsome pieces of furniture and the wine coolers and similar articles on the buffet are of good plated silver. In the second scene the chairs are of gilt and brocade, there are several handsome tables and a beautiful cheval glass which was made to order.

The opera house is pretty well fixed to repel an attack, for in the property master’s department there are about 500 swords of all shapes and sizes, 350 helmets, 100 breastplates, 8 full suits of armor, scores of spears, a lot of guns and even some big sticks which would make T.R. himself sit up and take notice. The last named belong to the giants in the Ring and cause an ordinary shillelah to look like a baby’s rattle.

All those little flowering shrubs for “Madama Butterfly” are properties. So are the bunches of flowers used in the second act of that opera, the garlands used in “Lobetanz” and other pieces, the apple blossom leaves showered on the Goose Girl in “Königskinder”, and the dead leaves which drop in “Parsifal.” There is a pretty good sized vegetable kingdom, in fact, under the property man’s care.

He is the Jove too who launches the thunderbolts by means of the thunder drum, although the lightning owes allegiance only to the chief electrician. The thunder drum, which looks more like an overgrown squirrel cage than like a drum, is classed as one of the fifty-five real musical instruments which belong in  the property department.

These are not the fake harps, as in “Lobetanz,” or other imitation instruments but the real thing. They are all numbered, 1 to 55, and include such a curious variety as the thunder drum above mentioned, whistles, wind makers, bells, trumpets, a piano and the great pipe organ itself.

Mighty few persons in the audiences that listen to “Aida,” for instance, know that there is a stage band at the opera house entirely separate from the orchestra. Its members play those silver trumpets in “Aida” and they are the heralds in “Lohengrin.” In fact whenever any instrument is to be played on the stage itself a member of this band does it.

This article will continue in a later post. It was originally published in the New York Sun, February 25, 1912, page 16.

A Cavalcade of Links

For those of you in the regular world, happy four-day weekend! For those of you in theatre, get back to work! I have a couple of really great links for everyone this week:

The LA Times had a fantastic front page article about Film Biz Recycling, a New York City-based non-profit that rescues props and set items from finished productions, and sells them for thrift store prices. It’s the kind of store I wish existed in more places around the country; whenever I work a strike where an entire dumpster is filled with salvageable material, I can’t help but think of all the small theatres and schools where just a few scraps of plywood would make all the difference.

Lyn Gardner talks about prop flops, and how she loves when things go wrong on stage. She gives a few memorable mentions of mishaps from throughout history, and the comments section has a few more submitted by readers.

Volpin Props has an epic post up about a recent build for a Militech Crusher, a fictional gun from a video game series. It has a wide range of tips for working in plastics and inventing shapes and textures from scratch, as well as some really cool paint techniques.

If you are into podcasts, here is an episode of End Credits with an interview of Rob Kyker. Kyker is the props master on shows such as Lost and Castle, as well as films such as Super 8.

Some Weekend Links

Just a reminder to enter the Prop Building Guidebook contest if you haven’t already. You have until April 30th to send in a photo or video of a prop you’ve made; there are already dozens of really great entries.

NYC Past has gigantic black and white photographs of New York City throughout history, from the early twentieth century through the 1990s.

When you have the time, take a listen to this interview of Christina Haberkern, a film prop maker. She mainly does graphics and illustration for ISS, and has made props for films such as Forgetting Sarah Marshall, Argo, Inception, and J. Edgar. It’s a much more in-depth, down-to-earth and personal glimpse into the life of a working prop maker than most of those behind-the-scenes “aren’t props fun and crazy” fluff pieces that are often produced.

Here’s a fun idea: ray gun parts you can mix and match to make your own ray gun. The Propnomicon website has pictures and details.

Finally, as a nice break before the weekend, check out this video where famed prop maker Dragon Dronet (Star Trek shows and films, Babylon 5, Eraser, and many more) is challenged to recreate a prop gun from District 9 in only 3 days. It’s a fairly quirky film that ventures into the surreal, but it does a great job showing Dragon’s process, and the result is a really cool prop.

A Friday of Links

This photograph of a country store from 1939 has all sorts of amazing things going on in it. I could look at it for hours. The whole website it comes from, Shorpy Historical Photo Archive, is a treasure trove of imagery like this one, and all of them can be viewed at incredibly large sizes so you can spot every little detail.

At the other end of history are Trevor Traynor’s photographs of contemporary New York City newsstands.

This short blog post up at Popular Woodworking taught me some interesting things about how British table saws are different from American ones, particularly in the safety features. I think the fence that stops at the blade is an interesting concept, and would love to try it out.

Have you heard about this? A team of people out in Tennessee are building a full-scale replica of the Millennium Falcon from Star Wars. That’s a 114 foot long spaceship for those who don’t know. What’s great is that if you look back through the blog, you can see that work began on this over six years ago, and now there is some hard-core construction going on nearly every single day. It looks fairly certain that they can pull this whole thing off.

I tweeted this earlier in the week, but if you missed it, NPR had a great story about faux food artisan Sandy Levins, who recreates historical dishes for display at George Washington’s Mount Vernon estate, New York’s Lower East Side Tenement Museum, and many other museums and historical sites.