Tag Archives: video

Friday Click Links

Follow along with the story of Twan Baker, the prop baby who has been in two Broadway shows and over half a dozen regional theatre productions. He is kept and cared for by a growing family tree of actors and writers and has his own adventures.

Steve Hoefer has been writing a series of beginner’s guides to various tools, and his latest is on drills and bits. If you’ve ever grabbed a spade bit to drill through metal, please stop and read this guide first.

I’ve been watching some videos of the Creature Technology Company lately, which makes massive animatronic creatures for giant arena shows. This behind the scenes look at the How to Train Your Dragon Arena Spectacular shows just what I’m talking about.

Finally, are you a fan of the Fake and Bake blog (a blog all about making fake food)? Anna Warren, the writer and a good friend, has branched out and started a company called Tactile Craftworks making handmade and hand-bound leather journals with etched details (among other things). They have just started a Kickstarter to produce an Atlas Series of journals, with covers of maps of either Milwaukee or Chicago. Head on over and check it out, and maybe pick up a journal or two!

Legend of Zelda Master Sword Take Two

About a year and a half ago, I worked with The League of Extraordinary Thespians to make a Master Sword for their Legend of Zelda musical. It was a fun project, but I had very little time or money to do it; I thought it was a bit blocky, and the paint treatment was very rudimentary. Since I gave all the original swords away, I decided I would make a new one with some improvements for myself.

I filmed nearly every step of the process and edited it into a six-minute video.

I made the blade out of wood again; on the original swords, I used plywood, which does not really make a convincing faux metal. This time I went with a solid piece of oak. After priming and sanding it, I used some Krylon Stainless Steel spray paint, which, after rubbing it with some steel wool, makes a very convincing metallic finish.

Legend of Zelda Master Sword
Legend of Zelda Master Sword

I decided I would make the hilt as a separate piece, then mold it and cast it directly onto the blade. I wanted a strong connection between hilt and sword that would not break when you played with it. Another reason was that the hilt was a very time-consuming piece, and I wanted the option of making more swords in the future.

Legend of Zelda Master Sword
Legend of Zelda Master Sword

Casting the hilt directly onto the blade was a very challenging and hairy process for me. Despite how awesome I seem, I do not have much experience with molding and casting. The process was far from perfect, but the end result was pretty satisfactory (though you can see some wibbly defects in the picture below).

Legend of Zelda Master Sword
Legend of Zelda Master Sword

I also tried sculpting the quillons out of clay, which is not something I typically do. I used an air-drying clay that was way too soft; if I were to try this again, I would look for a much harder clay. In fact, I would probably be tempted to carve most of it from a solid chunk of wood.

The yellow jewels were a separate piece which I cast in tinted epoxy. I made a video showing the mold-making process on that a few weeks back.

I finished off the hilt with a purple shimmering metallic spray paint. All in all, I was happy with how this sword turned out, and I learned a lot from the process.

First Links of August

Happy August, everyone. While the “regulars” still have some summer left, those of us in theatre are already gearing up to work on all the new shows for the fall season, not to mention those of us in the academic world getting ready for the new school year. But there’s still time to read about props stuff on the internet, so enjoy the following:

Priceonomics has a short history of fake money in the movies. It delves into some of the more high-profile cases of fake movie money making it into the real world, and the resultant crack-downs by the Secret Service. It goes into detail of some of the rules of using money on film and how the top prop houses modify their fake money to follow those rules.

Casey Neistat has a new video series on his studio, and his first video shows his red box system of organization.  He’s an independent film maker, but his system solves the same problems that prop shops have: how to save a little bit of everything, but be able to find it quickly.

Adam Savage has spent over four years painstakingly recreating the Mecha-Glove from the Hellboy film. Tested has a video where they talk with Adam about all the various processes and challenges of building this complex piece.

Finally, Credits has a great piece on building The Guardians of the Galaxy. Though it only briefly touches on the props for the film, it does delve into a lot of the physical and design work that went on in a number of the departments. Plus, it looks like a really exciting film.