With 2018 coming to an end and 2019 starting up, it’s a good time to look at the past year and see the biggest news in the world of props.
Reflections on the First USITT Props Lab – The prop department has long found itself lumped in with the Scenic Design Commission at USITT, which often gives us no representation at the conference. However, this past year saw the introduction of the first Props Lab, which gave us continuous demonstrations and hands-on workshops right on the Stage Expo floor for three straight days. I have also heard rumors that Props might attempt to become its own commission at some point in the future.
‘Props’ go to Wheaton: Exhibitions celebrate stage, movie, TV artistry that usually goes unnoticed – Elizabeth Keithline curated an amazing art exhibit this year that pulled together props from the worlds of film, television, opera, and live theater, and displayed them in a way that highlighted their own artistic merit. The show included work from Ross MacDonald (National Treasure, The Hateful Eight), Annie Atkins (The Grand Budapest Hotel), Carl Sprague (Isle of Dogs, La La Land), Buist Bickley (Spongebob: The Musical), Randy Lutz (The Santa Fe Opera), Jay Duckworth (The Public Theater), and me (this blog).
Hong Kong Court Convicts Props Master for Possession of Fake Cash – In a strange turn of events, a props master in Hong Kong was convicted for the possession of fake cash while on the set of a film. This conviction threw the local film industry into a state of shock. Luckily for the props master, the conviction was overturned a few months later. The appeal was won on a technicality, though, so props masters in Hong Kong continue to wonder how they can use fake money in films without falling on the wrong side of the law.
The First Annual Maker Faire Prop Contest – As the world of hobby prop making continues to explode, the original Maker Faire in the Bay Area held their first ever Prop Contest, with winners announced during the 2018 Faire.
The Prop Effects Guidebook – My second book was released this past year, covering all the different kinds of effects we use in props: lighting, pneumatics, blood, breakaways, sound, and much more.
Silk Flowers and Papier Mache Hearts – This year also saw the launch of an all-new podcast by Ashley Flowers and me. It may be the only podcast dedicated solely to props in the performing arts. We have already had a great array of guest stars, and have covered some wonderful topics, and are looking forward to having even more guest stars in the coming year.
Inside the one-ton, history-making King Kong Broadway musical – If I had to pick one prop from the past year that deserved a spot in this year-end wrap-up, it would definitely have to be the King Kong puppet from the new Broadway musical. Though the reviews on the musical itself have been mixed, everyone agrees that the one-ton semi-animatronic puppet is a work of staggering genius.
In Memoriam: John C. Taccone, IATSE Stagehand – The props world lost one of its long-time members this year. John Taccone was on the props crew at the New Amsterdam Theatre for over twenty years.
That’s the end of my list of the most important stories in props for 2018. What are yours?