Friday Link-eteria

A fun new blog has appeared from a theatre props artisan: Meanwhile in the Prop Shop… It’s a simple stream of photographs and quotes showing the weird and often surreal scenes that play out in a props shop on a daily basis.

Conan O’Brian has a recurring segment featuring the show’s prop master, Bill Tull. With this Sunday being Super Bowl Sunday, Tull gives us some Budget Super Bowl Party Tips.

Awhile back, I pointed to a page with a few color photographs from Pre-World War I Paris. Here is its bigger cousin, a whole website full of color photography from Paris circa 1914 (give or take a few years).

Two weeks ago, I had a link to a post on Matt Munson’s blog. Munson is also working on converting a Chevy Caprice into a Batmobile, which he calls the “Mattmobile.” Check out all the posts he has, because it is quite the epic build. He has been shooting mini episodes along the way, and is up to 29 as of this writing.

Finally, I dug up this old video about the making of the Stargate from Stargate (the film). It delves into a lot more than just the construction of the Stargate itself; the scale of the sets they built were incredible. It’s not entirely about props, but whatever, I’m a big Stargate fan.

Painting technique videos

This week I’ve added three videos to the Prop Building Guidebook’s companion video page. They are all shorter than previous videos and each involves a common technique for painting props. I shot a video for wet blending, dry brushing and glazes. You can watch the video on dry brushing below, watch the individual videos on YouTube by clicking the previous links, or check out all my videos by heading to the companion video page. See, I’m all about providing options.

This site is four years old

While my new book is one of the most exciting things on the horizon, let’s not forget that this blog continues to deliver lots of fun and free writing about props, and it will do so long after the book comes out. This blog turned four years old last week, and I almost forgot about it! I thought it would be fun to recap what has appeared here, just like I did after the first year, the second year, and the third year. It now contains 585 published posts, with a total of 266,384 words; that’s one and a half times as many in my book!

I’ve written a few little “featurettes” in the past year. I try to discover who the first prop maker was. I show off some photographs of prop artifacts held at the Victoria and Albert Museum. I take a look at prop expenses from 1716. I had a multi-part series of how they built Fafner the dragon at every production of The Ring Cycle which the Metropolitan Opera has done since it was founded (part one, part two, and part three). I explored who invented the jig saw, and looked at whether it should be called a saber saw or a jig saw. I did a story called To Broadway and Back, and looked at where to find summer jobs. I also did a few safety-oriented posts: Weapon Safety is nothing new, and The Nose Knows Not.

I have toured some places and wrote about some events. These include Wesley Cannon’s awesome film prop collection, a visit to Roy Underhill’s Woodwright’s School, a visit and lesson at Dick Snow’s blacksmithing shop, the Burlington (North Carolina) Mini Maker Faire, a tour of the Costume Armour facilities in New York, and the NYC Annual Props Summit.

I added some more of my own illustrations, including formal dinner settings, and “Better Proud than Shy“. I have begun shooting a lot more video in the past year, such as adding a flange to PVC pipe, vacuum forming for zero dollars, an exploding cuckoo clock, sculpting in oil clay, making a plaster mold, and sculpting and carving foam.

Of course, I posted pictures and explanations of various props I have built: Furniture for Henry IV and V at Playmakers Rep, a crepe cart at the Santa Fe Opera, a six-foot tall microscope, a dead deer at Shakespeare in the Park, King Roger’s throne at the Santa Fe Opera, twelve candlestick phones for Elon University, a player piano for Elon, various props for Crazy for You at Elon, Milky the Cow, Puppets for Into the Woods, some box elder boxes, and a CNC cast iron bench.

This year, I’ve also published some cool things submitted by other people. First up is Specter Studios building a foam axe prop, followed by the condensed history of their company. Next up is Costume Armour making a disappearing turkey. I also posted the video of Jay Duckworth’s KCACTF keynote speech on being a props master.

Regular readers know I like to dig out old historical writings about props. This year, these included the following: Actors in IATSE (1898), Backstage Views (1900), What Becomes of Stage Scenery (1903), A multi-part reprint of an article on prop maker E.L. Morse (1904): part 1, part 2, part 3, part 4, part 5, part 6, and part 7; The Covetous Property Man (1904), A Factory for Making Plays (1909), Good Furniture and Moving Pictures (1915), How David Belasco shops for props (1919), William Bradley, Property Man (1927), Why Film Prop Men Often Die in Their Youth (1938).

There were also some great illustrations I’ve reprinted here: daggers and poniards of the Christian Middle Ages, an illustration detailing the construction of a table, cooking pots history, 1642-1969, chair back styles, and construction and upholstery of chairs.

Finally, I reviewed Costumes and Chemistry by Silvia Moss. Though not a review, I also did a brief interview with Sandra Strawn about her recently published book, The Properties Director’s Handbook.

So there you have Year Four in a nutshell. I post lots of other links and videos in addition to what I’ve written here. If you don’t want to miss any future posts, you can subscribe to my blog with your favorite blog reader, or sign up to get all articles through email. For even extra prop goodness, you can follow me on Twitter as well.

This Week I got a Book

So the big news this week is that I received my advance copy of The Prop Building Guidebook: For Theatre, Film, and TV.

The Prop Building Guidebook
The Prop Building Guidebook

I cannot wait for people to start reading this. It’s the culmination of several years’ work. It clocks in at around 380 pages, and has photographs, charts, and illustrations on nearly every single page.

But enough about me, let’s talk about what else you can read on the web this week:

The House of von Macramé is a new pop musical running at the Bushwick Starr. It’s about a killer who targets models during Fashion Week. Waldo Warshaw did all the blood effects, delivery systems and splatter choreography, which Erik Piepenburg at the New York Times presents to us in this great article and slideshow called “A Scream. A Splash. Send in the Mops“.

This is actually from a month ago, but the Smithsonian Institute has received production-used costumes and props from the Broadway production of Wicked for display in their National Museum of American History. I think more props belong in a museum.

Everybody knows Google Street View, right? Well they have some special galleries hidden in different places. One very cool one is the inside of Scott’s Hut in Antartica. It’s an exploration hut from 1911 which the cold has preserved perfectly. It makes for some really cool primary research. If that link doesn’t work, or if you want to see what other galleries they have, you can view all their collections.

Making and finding props for theatre, film, and hobbies