Snake Puppet Test Video


Here is a great video showing puppet and effects tests for the “Goa’uld” aliens from Stargate SG-1, one of my favorite sci-fi television shows. This comes from the Steve Johnson FX channel on YouTube; I’ve linked to it before, but if you haven’t seen it yet, it has dozens of videos like this one to watch and enjoy.

We are three-quarters of the way through technical rehearsals of Shakespeare in the Park, so I’ll be back to a regular writing schedule soon. I also have some potentially exciting news coming up around the middle of the month. Stay tuned!

Is MDF really that bad for you?

I’ve run across shops and artisans who tend to avoid Medium Density Fiberboard, or MDF. MDF is an engineered lumber product made of sawdust bonded together with a urea-formaldehyde adhesive. When you work with MDF, the dust you release also contains this formaldehyde, which you may end up breathing. So is that really that bad? The short answer is “yes, with a but”, while the long answer is “no, with an if”. Like any other substance or material used in a props shop, the safety of using it is dependent on knowing the risks and possible hazards and taking the appropriate precautions. After all, people can safely work with plutonium if their shop is set up correctly and they wear the appropriate gear.

Let me start off by saying yes, you should avoid breathing MDF dust. Formaldehyde is suspected of being a carcinogen, and MDF has some of the highest concentration of urea-formaldehyde adhesives out of all the engineered wood products that use it. Other products which use UF adhesive include hardwood plywood and particle board. Some products, such as softwood plywood and oriented strand board, use phenol-formaldehyde resin which emits much lower concentrations of formaldehyde. Nonetheless, when working with these products, you should have appropriate dust collection at the source of dust creation, proper ventilation and air filtration, and wear an appropriate personal respirator (a NIOSH-approved dust mask for particulates) when sawing or sanding.

So if it’s unwise to work with MDF without proper safety precautions, why am I asking the question in the title of this post? Here’s what I’ve seen; some shops avoid or even downright ban the use of MDF because of what they’ve heard about UF adhesives. This is absurd for several reasons. First, all materials are “bad” to some extent. A better way to phrase that is to say that all materials require you to understand what the potential hazards are and how to minimize them. If you are barbecuing in a grill, you know there is a potential for things to catch fire, so you have a fire extinguisher close by. If you understand why MDF is potentially harmful, then you can figure out how to minimize those harms; if your shop is unable to minimize those harms, than its use should be avoided.

My second point is this: if a shop avoids MDF because the dust gets in the air and employees breath it, it implies a larger safety issue. While formaldehyde is a suspected carcinogen, sawdust itself is a known carcinogen. Let me repeat that: sawdust is a known carcinogen (see here). If you allow sawdust to fill the air of your shop, you are basically filling your shop with carcinogens. So a shop or person that avoids MDF because the dust gets in the air is still allowing the dust from other products to fill the air, which is just as harmful to breath as MDF dust.

If you work with lumber of any kind, the proper precautions include dust collection at the source, ventilation in the whole shop, and the use of a personal respirator. These are the exact same precautions you need for using MDF. Also, the proper safety protocol in a shop is to keep track of all substances which you may be exposed to and take the recommended precautions to minimize exposure.

Thus, avoiding MDF in a wood-shop implies that not only does one not know proper safety protocols, but that one is exposing workers to other potentially hazardous dust. So my question, “Is MDF really that bad for you?”, has the same answer as every other substance. If you know the potential harms and how to minimize them, then it is no more “bad” than any other hazardous and toxic material you work with to build props. In other words, the proper question isn’t whether MDF is “bad” (it is, but so is everything else you use), it’s whether your safety procedures are bad.

Link Before you Leap

We’re right in the middle of tech for this year’s Shakespeare in the Park, so I don’t have time to write as extensively as usual. Here are some interesting links to keep you busy in the mean time.

  • Jesse Gaffney writes about her goal to create a Chicago props community. It’s a good rundown of how to create a community of props people in any locale, which is good for sharing resources, mutual borrowing agreements, and knowing who to recommend when you can’t take a job. We have one here in New York City.
  • If you’re a fan of Instructables, you’ll like Make: Projects. From the same people that publish Make Magazine comes this library of user-submitted DIY projects and how-tos.
  • Speaking of Instructables, if you are a teacher and like the promise of the site, but are unsure how to integrate it into your classroom, the editors have just published a post on how to use Instructables at school.
  • Here’s an oldie but a goodie: an in-depth look at Nino Novellino, founder of Costume Armour Inc., one of the largest creators of theatrical armor and all manner of sculpture and props.
  • And finally, it’s always a good idea to remember How Not to Hurt Yourself On a Table Saw.

Egyptian Weapons

I came across a book with some fun little illustrations showing the history of arms and armor through history. The pictures are not terribly detailed, but they give a good overall look at the shapes and styles of common weapons in various historical periods. The first one I’ll be showing is on Egyptian weapons.

The types and styles of Ancient Egyptian weapons

1. A mural painting of Thebes showing Egyptians fighting.

2. Egyptian soldiers from Theban bas-reliefs.

3. Egyptian coat of mail. Some coats which have survived to the present have bronze scales, each scale measuring an inch and a half tall by three-fourths of an inch wide.

4. Egyptian coat in crocodile’s skin. From the Egyptian Museum of the Belvedere, Vienna.

5. Egyptian buckler with sight-hole.

6. Sword-breaker

7. Egyptian quiver

8. Egyptian hatchet

9. Sword

10. Scimitar

11. Dart

12. Sling

13. Unknown weapon

14. Unknown weapon

15. Hatchet, from bas-reliefs of

Thebes.

16. Scorpion or whip-goad. These were most likely 25 to 27 inches long. They were probably in bronze and iron.

17. Egyptian wedge or hatchet, bronze (4 inches). From the Museum of Berlin.

18. Egyptian knife or lance-head, iron (6 inches). Also from the Museum of Berlin.

19. Shop or khop, an Egyptian iron weapon (6 inches). Museum of Berlin.

20. Egyptian lance-head, bronze (10 and a half inches). Louvre.

21. Egyptian poignard, bronze. The handle is fixed upon a wooden core.

22. Egyptian hatchet, bronze, bound with thongs to a wooden handle of 15 and a half inches. British Museum.

23. Egyptian hatchet, bronze (4 and a half inches), fixed into wooden handle of 16 and a half inches. Louvre.

24. Bronze dagger (14 inches). Louvre.

25. Egyptian poignard, bronze (11 and a half inches), found at Thebes. The handle is in horn.

26. Egyptian poignard and sheath, bronze, 1 foot long. Ivory handle, ornamented with studs in gilded bronze.

The illustrations and descriptions have been taken from An Illustrated History of Arms and Armour: From the Earliest Period to the Present Time, by Auguste Demmin, and translated by Charles Christopher Black. Published in 1894 by George Bell.

Making and finding props for theatre, film, and hobbies